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In 1963, the year when Our Man In Paris was recorded, Dexter Gordon turned 40 and moved to Europe for what would be a dozen-year stay. Gordon had been the first important bebop tenor-saxophonist and a giant of Jazz since 1945. After some time off the scene in the ‘50s, he was signed to Blue Note. Go! Dexter Gordon to stream in hi-fi, or to download in True CD Quality on Qobuz.com. Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF.) depending on your needs. Listen to your purchases on our apps. Our Man In Paris Dexter Gordon. Dexter Calling (192kHz/24bit) Dexter Gordon.
Artist: Dexter Gordon
Title: Our Man In Paris
Year Of Release: 1963/2013
Label: Blue Note Records
Genre: Jazz
Quality: FLAC (tracks) 24bit/96kHz
Total Time: 00:38:05
Total Size: 842,46 MB
WebSite: Album Preview
Tracklist:Title: Our Man In Paris
Year Of Release: 1963/2013
Label: Blue Note Records
Genre: Jazz
Quality: FLAC (tracks) 24bit/96kHz
Total Time: 00:38:05
Total Size: 842,46 MB
WebSite: Album Preview
[7:21] 01. Kenny Clarke - Scrapple From The Apple
[8:47] 02. Kenny Clarke - Willow Weep For Me
[6:44] 03. Kenny Clarke - Broadway
[6:56] 04. Kenny Clarke - Stairway To The Stars
[8:16] 05. Kenny Clarke - A Night In Tunisia
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Our Man In Paris Dexter Gordon Rar Download Pc
ABOUT THE ALBUM1 disc(s) - 5 track(s)
Total length: 00:38:03
Main artist: Dexter Gordon
Composer: Various Composers
Label: Blue Note (BLU)
Genre: Jazz
Hi-Res 24-Bit 96.0 kHz - Stereo
© 1963 Blue Note Records ℗ 2013 Blue Note Records
AllMusic Review by Thom Jurek
This 1963 date is titled for Dexter Gordon's living in self-imposed Parisian exile and recording there with two other exptriates and a French native. Along with Gordon, pianist Bud Powell and Kenny 'Klook' Clarke were living in the City of Lights and were joined by the brilliant French bassman Pierre Michelot. This is a freewheeling bop date with the band working out on such categoric standards as 'Scrapple from the Apple,' and 'A Night in Tunisia.' In addition, American vernacular tunes such as 'Willow Weep for Me' and 'Stairway to the Stars' are included. Gordon is at the very top of his game here. His playing is crisp, tight, and full of playful fury. Powell, who at this stage of his life was almost continually plagued by personal problems, never sounded better than he does in this session. His playing is a tad more laid-back here, but is nonetheless full of the brilliant harmonic asides and incendiary single-note runs he is legendary for. The rhythm section is close-knit and stop-on-a-dime accurate.
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